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Heavy Metal: Youngblood Brass Band
Interviewer/Photographer: Damian Platt
Sometimes Ledging It means living life in the fast lane! At
8:26 on a Sunday night in early May I called my friend Pablo N from the
traffic lights at the junction of the Harrow Road with the Great
Western Road in Westbourne Park to say that my ETA was not to be held.
I had had to turn back home after leaving my notebook behind - couldn't
go to the Jazz Café to see the Youngblood Brass Band without pen
or paper, could I? At 8:44 I pulled up opposite the Mecca Bingo Hall in
Camden to park my scooter. This meant that in eighteen minutes I had
driven from the Harrow road back to my flat in Portobello, grabbed my
pen and notebook, and biked over to Camden. Surely some sort of
London land speed record?! And boy was it worth it, because Youngblood,
as not according to my calculations, were already on stage, and I
couldn't afford to miss a minute.
I had seen the Youngblood Brass Band last year in East London where
they played on the same bill as Mike Ladd's Majesticons. They gave a
powerful, highly talented performance which I can only describe as a
rousing hip-hop brass sound - music to make your feet stomp, your
brain whirr and blood pump happily through your heart. All good,
no doubt about that, so when I heard that they were supporting
Antibalas Afrobeat Orchestra at the Jazz Café, I made damn sure
that I was going to catch them again.
Trumpets, trombone, saxophone, sousaphone, trombone, euphonium, tuba,
big bass drum, cymbals, snare, chorus and rapid fire rap are the
ingredients of the unique and exhilarating Youngblood performance,
produced by eight friends from Madison, Wisconsin, USA. Horns,
percussion and voice – no looping or sampling, either live or in the
studio. If George Bush appears to be committed to dragging the image of
the USA through the international gutter, Youngblood albeit in a
grassroots and much less visible manner, are doing entirely the
opposite, and it felt very good to see representation of the very best
of US spontaneity, originality and creativity. This is rock the house
music, and when the whole band kick in, you get the feeling that the
joint really IS jumping! They are also not afraid to produce lyrics
espousing fresh ideas, politics and soul, coupled with some of the very
best rap wordplay that I have come across for a long while:
"We necromance dead crowds - to grab a dance - wack bands don't have a
chance - savage plans to launch - official spittle missiles - rattles
riddle/battles little - rappers dribble/battles wishful [...] skills
abound / still the sound - fills your town - spilling down million
pound - avalanches of nouns - rap tantric / I'm sick of spoiled pop
star antics - like kids throwing tantrums - through hiphop semantics -
anthems are repeated - seriously candid - I don't leave impressions on
cats - I leave them branded - most are underhanded - overstate their
understanding - stanzas so bland we're demanding - disbanding of your
clan"
From 'Avalanche' on center:level:roar
In these days, when the music business appears saturated with
money-fuelled self-seeking egomaniacs, Youngblood endorse a refreshing
and altruistic socio-cultural outlook. How many times have you heard a
band ask for schoolteachers to come and speak to them after the show?
Youngblood are much, much more than just a performance outfit. They are
also founder members of the Madison-based Layered Arts Collective,
which, as stated on www.layered.org, is a group of “musicians, artists,
designers and educators dedicated to promoting and supporting a vibrant
independent arts community...by publishing and promoting the work of
member artists. In addition, we seek to broaden the musical and
artistic horizons of high school-aged youth”.
This was the last UK date on a two month European tour, so if you
missed them this time round, make sure you catch them next time!
And I also picked up a copy of their recent album center:level:roar on
ozone music. This is a must-have, trust.
David Henzie-Skogen – front-man rapper, songwriter and percussionist –
very kindly gave up some time after the performance to tell KTL a bit
about Youngblood and their current tour. The interview was conducted in
the room next to where Antibalas Afrobeat Orchestra were warming up, so
not exactly the quietest of places!
Can you tell us about what you're doing here
tonight at the Jazz Café , I understand you're in the middle of
a tour?
We're about four weeks into the tour, got
another four weeks to
go, it's a pretty long tour, our fourth or fifth tour in Europe, we're
just trying to build - every time we come back it gets a little better.
It's nice to be here at the Jazz Café tonight performing here
with Antibalas from New York - a wonderful band
Have you done stuff with Antibalas in the USA?
Not yet. We know them because they used
to be on Ninja Tune
records and we used to do stuff with DJ Vadim and some of the Ninja
Tune artists. I've known about them for a while because I'm a big fan
of Afrobeat and all that music coming out. We've actually been trying
to hook up for a while so it's kind of special. We also did Dublin, two
nights in London, and Newcastle. Then they go to Poland and we go to
Germany.
So this is your fifth tour of Europe. How well
known are you in the states compared with over here?
I think it's about the same as the UK, we're a
little bigger in
countries like Switzerland, France, Belgium, Germany, Denmark, some of
those countries. In the US on any given night: on a week night about 50-200 people, on a weekend maybe 200-400.
You all met at school together is that right?
Yeah, me and the tuba player started the band
together at high school - we were about 14/15 years old.
And the idea behind it was to make hip hop
using brass?
Yeah, basically we come out of the New Orleans
brass band
tradition but make all original hip hop, Afro-Cuban and Afro-Brazilian
influenced music.
Do these Cuban and Afro-Brazilian influences
come from travel?
Not really. I play capoeira, and I've studied
with a lot of
Brazilians. One of my my first teachers was Senegalese so I've studied
a lot of West African music, and then growing up hip hop and jazz were
my first big influences.
And what are your plans for the future?
Tonight we were recording a live album, so when
we get back from
touring we'll mix that, and then get to work on a new studio album.
Then we're gonna come back to the Rockwerchter festival in Belgium just
for a couple of days before going back home to work on the album and
get our record label together
You all live in Wisconsin?
Yeah we live in Madison, which is about two
hours towards Chicago.
And what's the deal with your record label at
the moment? [During
the concert the band said that they had just finished with their
current label - Ed.]
Well we were on Ozone, a US independent hiphop
label
A US sister label to Ninja Tune?
No but a lot of the artists are friends and
just kind of hang out.
Now we have our own record label and entire arts collective. It's a
non-profit venture - we publish books, put out records, do educational
work, and we got some European distributors for that. So we're just
going to do things our own way, in-house. We've always been very
independent minded and admired bands that do things their own way, like
Gazie and a lot of punk bands who kind of set the bar for how to be an
independent musician, maintain your integrity, and make it work
Tell us more about the books you publish
We've put out some poetry books that I wrote,
and then we have other people working on some non-fiction.
What do you think of London, do you listen to
any of our indigenous music?
There are a lot of artists from around here
that we did some
tracks with - DJ Vadim, the Ninja Tune crew, the Cinematics...London's
great, we've been here three times now - last year at 93 Feet East
(with the Majesticons) and now twice at the Jazz Café . It's
great - I think it's one of the better cities for culture, like New York.
It's kind of a centre of musical culture, everyone comes to London.
There are so many artists and labels putting stuff out.
How does your educational project work?
We go to a lot of secondary and high schools,
talking about music
culture, music history, sometimes teaching kids to play music. All of
us are music teachers at home, so when we're on the road we feel this
need to still teach
Is that your day job, so to speak, when you're
back in Wisconsin?
Well this is our day job, our full time job -
then to make ends meet we teach on the side.
You mentioned during the show something about
Bush cutting educational projects?
Yeah Bush is cutting all types of programmes, but
primarily when
they decide to take money away from school programmes arts are always the
first to go. You know they want more money for the military - the arts
are gone. So there's people in a lot of metro areas losing band and
orchestra programs. This is one thing in a list of many, many problems
we have with the Bush administration.
So things are difficult at the moment?
Yes everything's difficult at the moment.
Touring in America
there's less money, there's less kids that have money to go out and see
shows. It's a situation that's kind of been getting worse for the last
four years and we hope that it's going to change, but all you can do is
do everything you can at a local level. Our whole kind of thing is that
you're not going to change politics on a grand scale by getting on
stage and just talking about politics, it's about what you can do in
the community.
OK David, it's more than reassuring to know
that there are people
like Youngblood out there. Good luck with the the rest of the tour, and
make it so we know well in advance when you're coming back to the UK!
Thanks...
Note: The Youngblood Brass Band performance reviewed above (and the consequent interview) took place on Sunday 9 May 2004
at the Jazz Café, London.
   

RELATED LINKS:
Youngblood Brass Band - official website
Jazz Café
Buy YBB's Center:Level:Roar at Amazon UK
(CD /
Vinyl)
 | US (CD /
Vinyl)
Buy YBB's Unlearn at Amazon
US (CD)
Buy YBB's Word On The Street at Amazon
US (CD)
PUBLISHED: Thursday 3 June 2004
More: Features | Reviews
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